Volume 34 - 1988
Issue 1
Guest Editor: Norman Harris
Special Issue: Modern Black Fiction
Contributors
2
Preface
Norman Harris
Pages 3-4
The Role of Water Imagery in Uncle Tom's Children
Tracy Webb
Pages 5-16
The Politics of Style in Three Stories by James Alan McPherson
Jon Wallace
Pages 17-26
Artists and the Art of Living: Order and Disorder in Toni Morrison's Fiction
Elizabeth B. House
Pages 27-44
The Structure of the Modern Nigerian Novel and the National Consciousness
Viney Kirpal
Pages 45-54
Reading the Body: Alice Walker's Meridian and the Archeology of Self
Alan Nadel
Pages 55-68
Celie in the Looking Glass: The Desire for Selfhood in The Color Purple
Daniel W. Ross
Pages 69-84
Twentieth-Century Women Writers from the English-Speaking Caribbean
Laura Niesen de Abruña
Pages 85-96
Performance, History, and Myth: The Problem of Ishmael Reed'sMumbo-Jumbo
Theodore O. Mason, Jr.
Pages 97-110
The Gods Must Be Angry: Flight to Canada as Political History
Norman Harris
Pages 111-124
Recent Books on Modern Black Fiction: An Essay-Review
Craig Werner
Pages 125-135
Issue 2
Editor: William T. Stafford
General Issue
From Place to Place in The Sound and the Fury: The Syntax of Interrogation
Cheryl Lester
Pages 141-156
An Interview with Raymond Federman
Zoltán Abádi-Nagy
Pages 157-170
A Geometry of His Own: Hemingway's "Out of Season"
Dewey Ganzel
Pages 171-184
"Ugly by Design": The Fiction of Christina Stead
Suzanne Kiernan
Pages 185-202
James Joyce's Infernal Clock
Peter J. Gillett
Pages 203-207
Fitzgerald's "May Day": The Uses of Irresponsibility
Robert Roulston
Pages 207-215
Kurt Vonnegut's Three Mother Nights
Edward Jamosky and Jerome Klinkowitz
Pages 216-220
Correspondence
Pages 221-222
Recent Books on Modern Fiction
Pages 223-332
Issue 3
Guest Editors: Margaret Moan Rowe and Ellen Carol Jones
Special Issue: Feminism and Modern Fiction
Contributors
Page 334
Preface
Margaret Moan Rowe
Pages 335-336
Marcel's Écriture Féminine
Margaret Gray-McDonald
Pages 337-352
"Utterly Other Discourse": The Anti-canon of Experimental Women Writers from Dorothy Richardson to Christine Brooke-Rose
Ellen G. Friedman
Pages 353-370
The Word Split Its Husk: Woolf's Double Vision of Modernist Language
Bonnie Kime Scott
Pages 371-386
Two into Three Won't Go: Mimetic Desire and the Dream of Androgyny in Dancing in the Dark
D. S. Neff
Pages 387-404
The Good Old Days in The Good Mother
Toby Silverman Zinman
Pages 405-412
Misogyny and Appropriation in Wright's Native Son
Alan W. France
Pages 413-424
Linda Snopes Kohl: Faulkner's Radical Woman
Keith Louise Fulton
Pages 425-436
Unquiet Ghosts: The Struggle for Representation in Rhys's Wide Sargasso Sea
Mona Fayad
Pages 437-452
Feminism and African Fiction: The Novels of Mariama Bâ
Charles Ponnuthurai Sarvan
Pages 453-464
"In Conversation": Gertrude Stein's Speaker, Message, and Receiver in Painted Lace and Other Pieces (1914-1937)
Elizabeth Fifer
Pages 465-480
(En)Gendering Metafiction: Doris Lessing's Rehearsals for The Golden Notebook
Molly Hite
Pages 481-500
Feminist Critical Theory: A Checklist
Laura Sue Fuderer
Pages 501-513
Issue 4
Editor: William T. Stafford
General Issue
The Gnomonics of Dubliners
Bernard Benstock
Pages 519-540
The Grotesque Rose: Medieval Romance and The Great Gatsby
Jerome Mandel
Pages 541-558
Italic Calvino: The Place of the Emperor in Invisible Cities
Laurence A. Breiner
Pages 559-574
Stingo's Complaint: Styron and the Politics of Self-Parody
Ralph Tutt
Pages 575-586
The Two Narrators and Happy Ending of Nineteen Eighty-Four
Richard K. Sanderson
Pages 587-596
E. M. Forster's A Passage to India: What Really Happened in the Caves
Jo An Hoeppner Moran
Pages 596-604
Correspondence
Page 605
Recent Books on Modern Fiction
Pages 607-759
Author and Subject Index: Volume 34
Pages 760-759