Volume 69 - 2023
(Note: This entire volume is available online through Project Muse)
Issue 1
Editor: John N. Duvall
Associate Editor: Robert P. Marzec
General Issue
A Girl Like We: Narrative Doubling and the Politics of Femininity in Anita Loos’ Gentlemen Prefer Blondes
Claire Barwise
Pages 1-21
Katherine Mansfield, Postimpressionist
Brian May
Pages 22-47
A Strange Kind of Grace: From Narrative to Embodied Authority in J.M. Coetzee’s Age of Iron and Elizabeth Costello
Ivana Ancic
Pages 48-72
Global Weirding and Paranoid Worlding in Karen Tei Yamashita’s Tropic of Orange
Timothy Lem-Smith
Pages 73-96
Reclaiming History: A Century of Intervention in Edwidge Danticat’s The Farming of Bones and Brother, I’m Dying
Alaina Kaus
Pages 97-117
Rereading Ha Jin’s Novels in a Transpacific Context: Human Rights and Human Wrongs
Yuan Shu
Pages 118-142
Frankenstein’s Monster Goes West: Hernan Diaz’s In the Distance, Cli-Fi, and the Literature of Limitation
Pieter Vermeulen
Pages 143-162
Book Reviews
Pages 163-167
Contributors
Page 186
Issue 2
Editor: Robert P. Marzec
Associate Editor: Maren Linett
General Issue
2022 Margaret Church MFS Memorial Prize
Pages iv-v
Imperium Hibernicum? Finnegans Wake and the Pacific
Erin G. Carlston
Pages 191-207
Silence and Speaking in Joseph Conrad’s Heart of Darkness
John G. Peters
Pages 208-231
Darl’s Bucket, Cash’s Casket, and a Rogue River-Log: The Nature of Wood in As I Lay Dying
Andrew Bishop
Pages 232-254
Numbered Erotics: Quantified Sexualities and Enumerative Aesthetics in Nightwood and The Young and Evil
Scott Alexander Streitfeld
Pages 255-284
Global Modernism’s Networks: Mulk Raj Anand, Sajjad Zaheer, and a Case for Negative Ties
Nicole Schrag
Pages 285-308
Aliens, Anthropologists, and American Indians: Ray Bradbury’s The Martian Chronicles, Culture, and Difference in Midcentury US Modernism
Eric Aronoff
Pages 309-340
Neoliberalism, Critique, and the Contemporary Novel: Tom McCarthy and Theory Fiction Marc Farrant
Pages 341-364
Book Reviews
Pages 366-387
Contributors
Pages 388-389
Issue 3
Editor: Robert P. Marzec
Associate Editor: Maren Linett
General Issue
"The New Economy and the Old Morality": Reimagining a Liberal Culture in Howards End
Nan Zhang
Pages 393-416
The Music of the Prose Takes Place in Silence: Sound, Fury, and Faulkner's Negative Audition
Yael Segalovitz
Pages 417-443
Ecologies from the Cargo: Zora Neale Hurston and the Long Anthropocene
Henry Ivry
Pages 444-465
Nonhuman Animals and Hope: Kazuo Ishiguro's Never Let Me Go and Philip K. Dick's Do Androids Dream of Electric Sheep
David P. Rando
Pages 466-491
Irvine Welsh, Neoliberalism, and the Lumpenproletariat
Ben Clarke
Pages 492-516
The Reading Self in Dinaw Mengestu's The Beautiful Things That Heaven Bears
Emad Mirmotahari
Pages 517-538
Shared Unshareability, Suicidality, and the Melodrama of Living on after Failure in Yiyun Li
Irving Goh
Pages 539-562
Book Reviews
Pages 564-587
Contributors
Pages 588-589
Issue 4
Editor: Robert P. Marzec
Associate Editor: Maren Linett
General Issue
What's the Time, Anna Wulf? Crisis, Temporality and Feminist Untimeliness in Doris Lessing's The Golden Notebook
Melanie Waters
Pages 593-613
Queer Mrs. Ramsay, or Virginia Woolf's Geomorphic Family
Benjamin Bagocius
Pages 614-643
Zora Neale Hurston, Anthropometrist
Steven Nathaniel
Pages 644-668
The Books on the Bedside Table: Re-Reading "Mother" in E. L. Doctorow's Ragtime
Christina J. Lambert
Pages 669-686
"I'm a girl. But now I'm a boy too": Dildonics and Prosthetic Gender in Ernest Hemingway's The Garden of Eden
Aaren Pastor
Pages 687-706
"Recalling this": Language and Irony in Nadine Gordimer's My Son's Story
Jap-Nanak Kaur Makkar
Pages 707-730
Book Reviews
Pages 732-750
Contributors
Page 751