Deep Canyon
1987.05
Collograph
1987.05
Leonard Breen Memorial Fund
Gift
Leonard Breen Memorial Fund
Clare Romano
1978
SignaturePrint number and runTitle
Lower left hand -- along bottom white space
42/150 Deep Canyon Clare Romano
PencilWrittenIn Artist's Hand
Tag
Hanging from wire
print 1987.05 HARR -C14 - B
English
WrittenPencil
StickerReceiver Marking
Back of canvas, lower center
Susie Gibbs Framing & Art Gallery 553 Main Street Lafayette, IN 47902
English
Printed
Previous Number
Back of canvas, upper left corner behind punched out paper
1987.05
WrittenPencil
Graphic Documents
Documentary Objects
Category 08: Communication Objects
30 in
22 in
BlackGreenBlueLight blueRedOrangewhite
INTRO: Community Selections (2013)
Although Clare Romano’s mature work has evolved through a number of different influences and styles, the one constant in her work is her response to the landscape--any change in her geographical surroundings is sure to elicit a new body of work. She is best known for her work in collagraphy, a relief printing process which embosses the paper surface while applying color. With her husband, John Ross, she wrote The Complete Collagraph, the definitive technical guide to the medium. Romano is, above all else, a remarkable colorist. Although the colors are always based in the landscape, her personal interpretations result in unexpected tonalities and juxtapositions. A major turning point in Romano’s work was occasioned by her first trip to the Grand Canyon in 1975. She responded not only to the colors of the landscape and to the intensity of the light, but also to the dramatic monolithic formations of the canyons. Her simplification and abstraction of these overwhelming shapes gave a new dimension of spareness and strength to her work. These southwest landscapes have become a recurring theme in Romano’s work and in them both her textures and her use of color have become increasingly bolder and stronger.