fig. 36: The Roof is on Fire
Performance with 220 Teenagers, (talking in parked cars)
Oakland, CA, 1994, © Suzanne Lacy

Statement · Biography · Bibliography

Suzanne Lacy

Chadwick, Whitney. Women, Art, and Society. London: Thames & Hudson, 1990.

Drucker, Johanna. The Century of Artist's Books. New York: Granary Books, 1995.

Gablik, Suzi. The Reenchantment of Art. New York: Thames & Hudson, 1991.

Giroux, Henry A. "Art, Education, and Memory." Sculpture 16.3 (1997).

Jones, Amelia, ed. Sexual Politics. Catalog. Los Angeles: UCLA Armand Hammer Museum and University of California Press, 1997.

Kelly, Jeff. "The Body Politics of Suzanne Lacy." But Is It Art? Nina Felshin, ed. Bay Press, 1995.

Kissick, John. Art: Context and Criticism. 2nd ed. London: Coleman and King, Ltd., 1995.

Lacy, Suzanne. "Affinities: Thoughts on an Incomplete History." The Power of Feminist Art. Norma Broude and Mary Garrard, eds. New York: Harry Abrams, 1994.

Lacy, Suzanne. "Love, Cancer, Memory." Public Art Review 7.2 (1996): 14.

Lacy, Suzanne, ed. Mapping the Terrain: New Genre Public Art. Seattle: Bay Press, 1995.

Lacy, Suzanne. "Name of the Game." Source Book of Artists' Writings. Christine Stiles, and Peter Seltz, eds. Berkeley: University of California Press, 1996.

Lacy, Suzanne. "Prostitution Notes." Veiled Histories: The Body, Place and Public Art. Anna Novokov. 1997.

Lacy, Suzanne. "The Roof is On Fire." Online. National Endowment for the Arts. Http:// 1996.

Lacy, Suzanne. "Some Notes on the Crystal Quilt." Expanding Circles: Women, Art and Community. New York: Midmarch Press, 1996.

Lacy, Suzanne, and Rachel Rosenthal. "Saving the World: A Dialogue Between Suzanne Lacy and Rachel Rosenthal." Artweek 12 September 1991.

Lacy, Suzanne, and Susan Steinman. "Jo Hanson." WCA Catalog. 1997.

Lippard, Lucy. Get the Message. Cover photo and essay. Dutton, 1984.

Lippard, Lucy. Mixed Blessings: New Art in a Multicultural America. New York: Pantheon Books, 1990.

Lippard, Lucy. "Sweeping Exchanges: The Contributions of Feminism to the Art of the 1970s." The Pink Glass Swan. 2nd ed, with additions. 1995.

Loeffler, Carl, ed. Performance Anthology, A California Sourcebook. San Francisco, 1981.

Making Their Mark:Women Artists Move into the Mainstream. New York: Abbeville Press, 1989.

Peterson, William. "Mobilizing Communities for Change: Suzanne Lacy's Large-Scale Works." Journal of Dramatic Theory and Criticism Fall 1990.

Raven, Arlene. Crossing Over: Feminism and Art of Social Concerns. Ann Arbor: University of Michigan Press. 1988.

Roth, Moira. The Amazing Decade. Astro Arts, 1982.

Roth, Moira. "Don't Reform a Witch." Art in the Public Interest. Arlene Raven, ed. Cambridge, MA: MIT Press, 1989.

Roth, Moira. "Toward a History of California Performance." Arts Magazine April 1978.

Rubenstein, Charlotte. American Women Sculptors: A History of Women Working in Three Dimensions. Boston: G. K. Hall & Co., 1990.

Sexual Politics: Judy Chicago's "Dinner Party" in Feminist Art History. Catalog, The Armand Hammer Museum, 1996.

Slatkin, Wendy. "Leslie Labowitz and Suzanne Lacy, In Mourning and In Rage." Women Artists in History: From Antiquity to the Present. 3rd ed. New Jersey: Prentice Hall, 1997.

Wilding, Faith. By Our Own Hands. Double XX Publications, 1976.

Self Published Works:

Lacy, Suzanne. Falling Apart, edition 20, December 1976.

Lacy, Suzanne. Rape Is, edition 1,000, May 1972.

Lacy, Suzanne. Three Weeks in May, edition 20, 1982.

Lacy, Suzanne. Three Love Stories, edition 500, February 1978.

Lacy, Suzanne, and Arlene Raven. Travels with Mona. Color postcard, edition 2,000, 1977.

Statement · Biography · Bibliography

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