fig. 20: Kodak Study
by Anne W. Brigman
Gallery · Bibliography
What 291 Means to Me · The Glory of the Open
Anne W. Brigman
Published articles and poetry by Anne W. Brigman
Brigman, Annie W. Songs of a Pagan, Caldwell, Idaho: Caxton Printers, 1949.
Brigman, Annie W. "Awareness," Design for Arts in Education 38 (June 1936): pp. 17-19.
Brigman, Annie W. "A Jury and a Salon," Camera Craft 37 (April 1930): pp. 126-128.
Brigman, Annie W. "The Glory of the Open," Camera Craft 33, no. 4 (April 1926), pp. 155-163.
Brigman, Annie W. "What 291 Means to Me," Camera Work no. 47 (July 1914), pp. 17-20.
Brigman, Annie W. "The Prints at Idora," Camera Craft 15 (December 1908): pp. 463-466.
Brigman, Annie W. "Just A Word," Camera Craft 15, no. 3 (March 1908), pp. 87-88.
Brigman, Annie W. Plain Tales from the Piedmont Hills. Oakland: Wickham Havens (c. 1907). Illustrated with photographs by Brigman.
Brigman, Annie W. "Starr King Fraternity Exhibitions," Camera Craft 10 (April 1905): pp. 228-229.
Anne W. Brigman's photographs reproduced in Camera Work (under the name Annie W. Brigman)
Camera Work 25 (January 1909): The Brook; The Bubble; The Dying Cedar; Soul of the Blasted Pine; The Source
Camera Work 38 (April 1912): The Cleft of the Rock; Dawn; The Pool; The Wondrous Globe
Camera Work 44 (October 1913): Dryads
Books, exhibition catalogues, periodicals that include Anne W. Brigman
"An April Exhibit of California Studies," Bulletin of the Brooklyn Institute of Arts and Sciences 36, no. 16 (2 April 1932): p. 295.
Anonymous. "The Kodak Picture Exhibition," The Amateur Photographer [London] (August 27, 1907), pp. 200-202.
Bruce, Arthur Loring. "A New Classical Note in Photography: With a Series of Recent Camera Studies, Made in California, by Annie W. Brigman," Vanity Fair 2, no. 4 (June 1914): pp. 26-29.
Caffin, Charles H. "Photographic Pictures," The Burr McIntosh Monthly 19, no. 75 (June 1909).
Cahn, Robert, and Robert Glenn Ketchum. American Photographers and The National Parks. New York: The Viking Press, 1981.
Clute, Fayette J. "The Western Workers in the United States." Photograms of the Year 1904, pp. 163-174.
Davie, Helen L. "The Los Angeles Exhibition, Its History and Success and those Responsible for It," Camera Craft 5, no. 2 (June 1902), pp. 43-78.
Denny, Colleen. "The Role of Subject and Symbol in American Pictorialism," History of Photography [London] 13, no. 2 (April-June 1989), pp. 109-128.
Doherty, Amy S. "Photography's Forgotten Women," AB Bookman's Weekly (November 4, 1985), pp. 3272-3312.
Ehrens, Susan. A Poetic Vision: The Photographs of Anne Brigman, Santa Barbara: Santa Barbara Museum of Art, 1995.
Genthe, Arnold. "What Various Prominent Critics Have to Say of the Second San Francisco Photographic Salon Just Passed," Camera Craft 4 (February 1902): pp. 165-171.
Gover, C. Jane. The Positive Image: Women Photographers in Turn of the Century America. Albany, NY: State University of New York Press, 1988.
Heyman, Therese. Anne Brigman, Pictorial Photographer/Pagan/Poet/Member of the Photo-Secession. Oakland, CA: The Oakland Museum, 1974.
Homer, William Innes. Alfred Stieglitz and the Photo-Secession. Boston: New York Graphic Society, 1983.
Laurvik, J. Nilsen. "International Photography at the National Arts Club, New York," Camera Work 26 (April 1909): pp. 38-41.
Mann, Margery. California Pictorialism. San Francisco: San Francisco Museum of Art, 1977.
Mann, Margery. Women of Photography: An Historical Survey. San Francisco: San Francisco Museum of Modern Art, 1975.
Naef, Weston J. The Collections of Alfred Stieglitz: Fifty Pioneers of Modern Photography. New York: The Metropolitan Museum of Art, 1978.
Palmquist, Peter E.. Shadowcatchers: A Directory of Women ln California Photography 1900-1920. Arcata, CA: Published by the author, 1991 .
Palmquist, Peter E.. Camera Fiends & Kodak Girls II: 60 Selections By and About Women ln Photography, 1855-1965. New York: Midmarch Arts Press, 1995.
Palmquist, Peter E. (editor). Camera Fiends & Kodak Girls: Writings by and About Women Photographers 1840-1930. New York: Midmarch Arts Press, 1989.
Stern, Jenny. "Unleashing the Spirit: The Photography of Anne Brigman," Art of California 5 (September 1992), pp. 58-61.
Wilson, Michael G., and Dennis Reed. Pictorialism in California: Photographs 1900-1940. Malibu and San Marino, CA: The J. Paul Getty Museum and The Henry E. Huntington Library and Art Gallery, 1994.
"Works of Nature and Works of Art, Blended in the California Camera Studies of Anne Brigman," Vanity Fair 6, no. 4 (June 1916): pp. 50-52.
Bunnell, Peter C., ed. A Photographic Vision: Pictorial Photography, 1889-1923. Salt Lake City, UT: Peregrine Smith, 1980.
Caffin, Charles. Photography as a Fine Art. New York City: Doubleday, Page & Co., 1901.
Corn, Wanda. The Color of Mood: American Tonalism 1880-1910. San Francisco: M.H. De Young Memorial Museum and The California Palace of the Legion of Honor, 1972.
Doty, Robert M. Photo-Secession: Photography as a Fine Art. Rochester, NY: George Eastman House, 1960.
Green, Jonathan. Camera Work: A Critical Anthology. Millerton, NY: Aperture, 1973.
Lyons, Nathan. Photography in the Twentieth Century. New York: Horizon Press, in collaboration with George Eastman House, 1967.
Starr, Kevin. Americans and the California Dream 1850-1915. Santa Barbara, CA: Peregrine Smith, 1981.
Stieglitz, Alfred, editor and publisher. Camera Work [all issues], 1903-1917.
100 Years of California Photography by Women